Category Archives: The Films/TV

Actors and their Surprising Career Choices that Actually Worked

I haven’t been keeping up with the award show season too much this year, mainly because I’ve only seen eight Oscar-nominated films, three of which were in the Visual Effects category. But I have been paying enough attention to see that there was a lot of hype around Dallas Buyers Club, particularly for star Matthew McConaughey. I read that he lost 30 pounds for his role, a level of dedication usually seen by method actors like Christian Bale and Daniel Day-Lewis. And his work is getting rave reviews, including nominations or wins from the SAG awards, the Golden Globes, and of course the Academy, where he is the frontrunner to win Best Actor at the Oscars tonight.

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To an extent, this surprised me. While I know he’s taken serious roles in the past (and is currently getting equally positive attention for True Detective), when I think of Matthew McConaughey, I think of a shirtless, bongo-playing, “I get older and they stay the same age,” How to Lose a Guy in 10 Days, stoner-surfer-sort-of-actor, and I’d guess a lot of audiences thought the same. After the reviews I read prior to seeing Dallas Buyers Club, I wasn’t shocked by how good he was, but I still find it a bit hard to reconcile McConaughey’s portrayal of Woodruf with, say, his similarly-named character Wooderson.

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Then again, this certainly isn’t the first time an actor has broken out of their trademark style of role and done a remarkable job. Here are nine other actors who managed to surprise me with their roles:

Jim Carrey, Eternal Sunshine of the Spotless Mind

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Like McConaughey, Jim Carrey had done some serious roles before Eternal SunshineThe Truman Show is hardly slapstick, after all. But he was certainly more well known for movies like Ace Ventura and Bruce Almighty. Then he played Joel to Kate Winslet’s Clementine in a film that never fails to make me feel joyful and depressed at the same time.

Steve Carell, Little Miss Sunshine

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As far as I know, Steve Carell was solely a comedic actor for the better part of his career. AnchormanThe 40-Year-Old VirginThe Daily Show, and of course The Office: he’s brilliant at all of them, but although he has some touching moments as Michael Scott, and although Little Miss Sunshine is probably, technically a comedy, his role as Olive’s gay, suicidal uncle still came out of left field and blew me away.

Maya Rudolph, Away We Go

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I don’t know if actresses are less typecast than actors or if it’s the opposite—that they are typecast but find it harder to break out of their original genre than male actors—but actresses who reinvent themselves are more of the child-star-who-didn’t-become-Lohan-esque variety. But Maya Rudolph (and John Krasinski) in Away We Go proved to be an example of a funny woman who can do serious—and wonderfully bittersweet.

Bryan Cranston, Breaking Bad

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For a lot of actors, the role they played in a late-90s/early-00s television show is the role they’ll be known as for good. Sarah Michelle Gellar will always be Buffy, Zach Braff and Donald Faison will always be JD and Turk, and James Van Der Beek will always be crying Dawson Leery. So who would’ve thought that Malcolm (the role Frankie Muniz will always be known for)’s silly dad Hal would end up being known as one of the most intense, terrifying television characters ever.

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Let’s Go to the Movies

Roger Ebert died this week. And I’m glad to see that in the countless articles and blog posts eulogizing him, he is never referred to “only” as a film critic. As someone whose dream job used to be entertainment critic, I’ve sometimes felt like my ambitions were less serious than my peers who dreamed of parachuting into a war zone armed only with a notebook and a tape recorder, even of dedicating their lives to small-town papers to report on their city council meetings.

But entertainment journalism, although it has the potential to be “soft” when reporting on the comings and goings of D-list celebrities, has its place. As the first film critic to win the Pulitzer Prize for Criticism, Ebert demonstrated not only the value of film itself in reflecting or subverting the values of society, but also in discussing and critiquing film and the way it reflects or subverts those values.

1365105444_roger-ebert-articleIn the thousands of reviews he wrote over four and a half decades at the Chicago Sun-Times and other media outlets, he was never afraid to digress into a commentary on social and political issues. Ebert was criticized over the summer for speaking out in favour of gun control in the wake of the movie theatre shooting in Aurora, Colorado, and many of his opponents said that he should stick to talking about movies. But as Ebert so often proved, there are so many times when you can’t talk about movies without talking about life.

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