January Microreviews

One of the goals on my 101 Things in 1001 Days project (2 goals complete and another 5 in progress so far!) is to start a blog dedicated to reviews. Unfortunately, at the moment I’m hardly seeing enough new films or reading enough new books or listening to enough new albums to make it worthwhile—it can be fun to read reviews of older works, but not fun enough to create a whole blog around it unless there’s some sort of theme other than “what I’ve read/seen/listened to.” However, in the meantime I’m going to do a microreview roundup each month of all the books, films, and anything else old or new that I’ve consumed (for the first time). Sure this month is a little late, but there’s still plenty of time before I’ll need to write February’s entry.

If you’re interested in seeing what pop culture I’m looking at as it happens, you can follow me on Goodreads or take a look at my 2014 scrapbook. What have you read, watched, or listened to in the last month? Tell me about it!

January books

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The Letters by Jack Kerouac and Allen Ginsberg (2012): A compilation of the correspondence between Kerouac and Ginsberg from 1944 to 1969, this book amazed me with the depth of the relationship between these two icons of the Beat generation. At times it is pretentious, of course, but in other instances there’s a rawness and sincerity that helps to explain the reason their writing still resonates so strongly.

While the Women are Sleeping by Javier Marías (1990): I’ve been wanting to read something by Marías for ages, but judging by the reviews on Goodreads for this collection, it’s not the one to choose as a first look at his work, and maybe that’s why I had trouble fully connecting with it. However, I did like the creepiness of the stories, whether it was due to a paranormal element or simply the weirdness of human nature.

A Farewell to Arms by Ernest Hemingway (1929): I see why Bradley Cooper’s character threw this novel out the window at the start of Silver Linings Playbook. While I enjoy Hemingway’s style so I liked the writing as much as I have in his other works, the unresolved nature of the plot, particularly the ending, made the book lack closure and feel almost unfinished.

Americanah, Chimamanda Ngozi Adichie (2013): Like a lot of people, I was introduced to Adichie’s work by Beyoncé’s ***Flawless, which samples one of her speeches. Americanah covers race, feminism, cultural and national identity, and does so through the wonderful character of Ifemelu. While some of the characters were somewhat one-dimensional, the protagonist was so compelling that I couldn’t set the book down.

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