Media and Misc of the Year (aka the obligatory Best of 2014 review post)

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Films

  1. Boyhood, dir. Richard Linklater – Filming over 12 years could have turned out gimmicky, but Boyhood was a moving and beautiful story of family and growing up. I’m not sure I’ve ever felt so emotional while watching a film.
  2. Calvary, dir. John Michael McDonagh – The preview for this Irish film made it out to be a dark comedy, but despite actors such as Dylan Moran, Chris O’Dowd, and even star Brendan Gleeson (in maybe his best ever work), it’s a heartwrenchingly dark film with moments of humour.
  3. The Grand Budapest Hotel, dir. Wes Anderson – I’ve loved every film I’ve seen of Anderson’s, but for some reason hadn’t watched one since The Life Aquatic. This was a good place to start back, with his typical aesthetic and great performances.
  4. Gone Girl, dir. David Fincher – I read the book in one frantic weekend before seeing the film, and the twists and turns and madness of it all still shocked me. Though not as much as it shocked the person sitting behind us who couldn’t stop saying “What the fuck” at the end.
  5. Obvious Child, dir. Gillian Robespierre – A sweet, funny little film about a stand-up comedian who gets pregnant and has an abortion. The characters feel like your friends.

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Music

  1. The Antlers, Familiars – This album is one of those where the sound just fills the room when you listen to it. There are so many layers combining beautifully with strange, sad lyrics.
  2. Alt-J, This is All Yours – Speaking of strange, among other oddities Alt-J’s second album samples Miley Cyrus, and somehow it really works. They also put on one of the top 3 live shows I saw this year (and in fairness, the top 2 are my favourite bands, The National and Arctic Monkeys).
  3. St. Vincent, St. Vincent – I’m declaring this the year of the excellent self-titled album. And St. Vincent’s is the best of them, with an album that is both strange and wonderful.
  4. Hozier, Hozier – You’ve probably been hearing “Take Me to Church” all the time for the past 6 months, unless you’re in Ireland in which case you’ve been hearing it all year. And it hasn’t gotten old yet.
  5. Taylor Swift, 1989 – Part of me can’t believe that Taylor Swift of all people is bumping my forever girl Shakira off my Best Of list, but most of me thinks that “Blank Space” is such a jam I don’t even care.

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April/May Microreviews

January microreviews
February microreviews
March microreviews

Books:

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IV, Chuck Klosterman: Chuck Klosterman does the kind of journalism I would love to do. Funny, sarcastic pop culture essays with smart commentary on the impact of entertainment on society. I’ll always point to his essay on The Real World as one of the best I’ve read. This collection was decent; the non-fiction was great, the semi-fiction was okay, and the fiction was barely worth reading. I particularly enjoyed the profile of Morrissey’s hispanic fans and the one about tribute bands.

The World’s Wife
, Carol Ann Duffy: I love Carol Ann Duffy’s poems and their clever, feminist slant. The World’s Wife is a perfect example. Duffy writes from the perspective of the wives and lovers of famous historical and literary figures: how does King Midas’ touch affect his marriage? or alters the stories to give women more agency than in their original tellings.

The Ocean at the End of the Lane
, Neil Gaiman:  I read this book over the course of two days; whenever I needed a break from wandering around London I would take advantage of the comfortable sofas in the Piccadilly Circus Waterstones and curl up for a few minutes with this book. It’s a beautiful little fairy tale about monsters and magic and growing up.

Salt: A World History
, Mark Kurlansky: I may be sick of Mark Kurlansky by the time I finish writing my thesis as one of his books is a major source I’m using, but in the meantime I loved reading this. He looks at a common material—salt—and through evidence and anecdote, explores its impact on history and contemporary life and food in an interesting and entertaining way.

The Little Friend
, Donna Tartt: Not as good as The Secret History and certainly not as good as The Goldfinch, but a book can still be pretty excellent with both of those things being true. I didn’t find myself caring much for the central mystery, which is good because I also didn’t find much resolution, but it was all the little pieces of southern gothic description and all the side stories about minor figures and all the miscellaneous everything else that I really enjoyed.

Paper Towns, John Green: Paper Towns is known for being a story that points out the ridiculousness of the idea of the so-called “Manic Pixie Dream Girl.” I found it to be mostly successful in this regard, but it would’ve been more effective if it had been from the perspective of the girl, rather than about her. Still, a quick and fun read.

Let the Great World Spin, Colum McCann: I absolutely loved this. Set in 1974, while Philippe Petit crossed the World  Trade Center towers on a tightrope, the novel features characters from all walks of live, and the city of New York itself is as strong a character as any of them. It’s a beautiful book, and one I look forward to reading again in the future.

Live by Night
, Dennis Lehane: I didn’t realise that this was a sequel of sorts to The Given Day until I started reading it, but instead of the sprawling historical novel and social commentary of its predecessor, Live by Night is a fast-paced crime story more in line with Lehane’s other detective works.

Bark: Stories, Lorrie Moore: Whenever you can finish a book in one sitting you have to assume that a) it’s not very long but b) it is very good. The first two stories didn’t entirely hook me, but by the time I got to ‘Paper Losses’ I knew I wasn’t moving until I had gotten to the end. Luckily it was a beautiful day outside. The descriptions were visceral and the relationships devastating.

Werewolves in their Youth, Michael Chabon: I shouldn’t have read this immediately after Bark, I don’t think. Too many  stories about relationships facing harsh realities. Michael Chabon is one of my favourite authors, and this isn’t his best work. There were still moments and sentences that really resonated, but overall I didn’t find the stories or characters as memorable as in most of his books.

Continue reading “April/May Microreviews”