Hi hello long time no write. It’s been a busy year, but the truth is that I just haven’t made time for this blog. That’s going to change in 2023 though — I’m changing jobs, and at the job I’ve just left (as of today) I was writing three blog posts a week. I figure I should be able to translate into at least one post per week over here, and I’m going to stick to that resolution no matter what. And of course, I’ll start off with my favourite books I read last year.
One thing I’ll start by saying is that there are a few major faves missing from this list. It was such a good year for horror that I’m going to be doing a separate post on my favourite horror reads of the year next week or thereabouts. So stay tuned for that and some great spooky reads, and in the meantime read on for my favourite books from non-horror genres that I read in 2022.
You can always follow me on Goodreads to see what I’m reading throughout the year!
The best books I read in 2022 (published in 2022)
Sea of Tranquility by Emily St. John Mandel
I absolutely loved Station Eleven but then was a bit cold on The Glass Hotel, so when Emily St. John Mandel’s next book was released in 2022 I was incredibly curious but mildly hesitant. I needn’t have worried, because Sea of Tranquility turned out to be one of my favourite novels of the year. For a story with a vast setting, spanning galaxies and millennia, it is close and intimate, a thoughtful work of speculative fiction that offers a puzzle where, over the course of the story, each piece is put delicately, carefully, poetically into place.
Continue reading “My favourite books of 2022” →
- Boyhood, dir. Richard Linklater – Filming over 12 years could have turned out gimmicky, but Boyhood was a moving and beautiful story of family and growing up. I’m not sure I’ve ever felt so emotional while watching a film.
- Calvary, dir. John Michael McDonagh – The preview for this Irish film made it out to be a dark comedy, but despite actors such as Dylan Moran, Chris O’Dowd, and even star Brendan Gleeson (in maybe his best ever work), it’s a heartwrenchingly dark film with moments of humour.
- The Grand Budapest Hotel, dir. Wes Anderson – I’ve loved every film I’ve seen of Anderson’s, but for some reason hadn’t watched one since The Life Aquatic. This was a good place to start back, with his typical aesthetic and great performances.
- Gone Girl, dir. David Fincher – I read the book in one frantic weekend before seeing the film, and the twists and turns and madness of it all still shocked me. Though not as much as it shocked the person sitting behind us who couldn’t stop saying “What the fuck” at the end.
- Obvious Child, dir. Gillian Robespierre – A sweet, funny little film about a stand-up comedian who gets pregnant and has an abortion. The characters feel like your friends.
- The Antlers, Familiars – This album is one of those where the sound just fills the room when you listen to it. There are so many layers combining beautifully with strange, sad lyrics.
- Alt-J, This is All Yours – Speaking of strange, among other oddities Alt-J’s second album samples Miley Cyrus, and somehow it really works. They also put on one of the top 3 live shows I saw this year (and in fairness, the top 2 are my favourite bands, The National and Arctic Monkeys).
- St. Vincent, St. Vincent – I’m declaring this the year of the excellent self-titled album. And St. Vincent’s is the best of them, with an album that is both strange and wonderful.
- Hozier, Hozier – You’ve probably been hearing “Take Me to Church” all the time for the past 6 months, unless you’re in Ireland in which case you’ve been hearing it all year. And it hasn’t gotten old yet.
- Taylor Swift, 1989 – Part of me can’t believe that Taylor Swift of all people is bumping my forever girl Shakira off my Best Of list, but most of me thinks that “Blank Space” is such a jam I don’t even care.
Continue reading “Media and Misc of the Year (aka the obligatory Best of 2014 review post)” →