Best Picture 2023: My Oscar Thoughts & Ranking

I don’t have a great track record of watching all the Oscar nominated films in a year. I have friends who make it a mission to see every nominated film, but I usually only manage to see a couple here and there. For reference, I’ve seen six of last year’s 10 Best Picture nominees (and Nightmare Alley I only saw recently, rather than when it was in its nomination period), three of 2020’s seven, six of nine in 2019, and five of 2018’s eight (six if you count half-watching Green Book on someone else’s screen on a flight, which is probably the maximum amount of attention you really need to pay to Green Book). The most recent year for which I’ve seen all the Best Picture nominees was 2008 (which is also the year before they expanded the maximum from five to 10).

But this year, when I realized that just in the course of general moviegoing, I had seen six of the 10 Best Picture nominees, I decided to try and watch the whole slate. As of last night I’ve seen all 10 nominees, and although I won’t be watching the ceremony tonight (because staying up until four a.m. for what will inevitably be many cringeworthy jokes about The SlapTM isn’t my idea of a good time), here is my ranking and thoughts on the list:

Continue reading “Best Picture 2023: My Oscar Thoughts & Ranking”

An Cailín Ciúin and the beauty of a quiet story

There are three lights now.

I”m just back from seeing the magnificent An Cailín Ciúin a second time. I first watched it when it was released and came briefly to cinemas last year, and when it returned in recent weeks on the heels of a well-deserved Oscar nomination for Best International Film, I was eager to see it again.

And as I watched this tender, heartbreaking, lovely film about a vulnerable, neglected girl from a large family who is sent away for the summer to a childless couple where she begins to blossom under their love and care, I kept thinking about the beauty of a quiet story.

Continue reading “An Cailín Ciúin and the beauty of a quiet story”

Best Horror of 2022

In my opinion, 2022 was a fantastic year for horror. With excellent horror films of every type being released in cinemas and on streaming, from the artistic and beautiful to the gory and intense, from creative new takes on stale franchises to innovative, out-of-the-box concepts, there was always something new and frightening to watch. It was a great year for horror literature as well, with terrifying anthologies, spooky stories of all sorts, and classics told in fresh and exciting ways.

If you’re looking to bring the scares in 2023, here are my favourite horror films from 2022 and my favourite horror books read in 2022 (some old and some new):

Best horror films of 2022 (Follow me on Letterboxd!)

Bones and All, dir. Luca Guadagnino

Who would have thought a film about cannibalism could be so tender (pun not intended)? This delicate, haunting, horrifying film was not only my favourite horror film of the year, but one of my favourites of any genre. As outsiders from society, finding solace in each other as they satisfy their urges (the story can be read as a both queer allegory and one of addiction,), this film is all about contrast. The central couple’s intimacy with each other contrasts with the wide open landscapes of the cinematography and setting. The soundwork contrasts the gnashing, gnawing sharpness of their actions with the quietness of the solitude around them. And the contrast between the final two shots are as emotional as they are gutting.

Continue reading “Best Horror of 2022”

Scannáin na hÉireann

Long before I ever stepped foot in Ireland, I’ve loved Irish literature. When I was a kid, I had an audiobook on cassette tape with a number of classic ghost stories, including Oscar Wilde’s ‘The Canterville Ghost’, which I listened to incessantly. In college, I found a love for Irish plays as well, reading several (including Translations by Brian Friel, which became an all-time favourite) in a historically-focused theatre course. Naturally, this played into my motivations for applying to an MA in Literature & Publishing in Galway, and once I moved over I discovered so many wonderful contemporary Irish authors from Donal Ryan to, of course, Sally Rooney.

Ireland has an outsized cultural influence, with an incredible amount of internationally-acclaimed art in every medium considering the relatively small size of the country. Some of the world’s best poets, musicians, and more hail from the Emerald Isle. And as I’ve lived here I’ve gotten to know a lot of work by artists of different types.

But one medium that I feel has passed me personally by a bit for the most part is Irish cinema. I’ve seen a few of the most well-known Irish films across a number of genres — The Commitments, Once, The Wind that Shakes the Barley, The Quiet Man — but there are far more iconic Irish films that have passed me by. On this list, for example, I’ve only seen six.

Continue reading “Scannáin na hÉireann”

When Your Hero is a Villain

Like many people born between the late-70s and the mid-90s, when I was a teenager I was in love with Johnny Depp. I had seen a few of his movies over the years, but it was when I watched the first Pirates of the Caribbean film at a sleepover that I was struck by Cupid’s arrow. In time-worn fangirl tradition, I plastered my walls with posters of Captain Jack Sparrow. I worked my way through the back catalogue of his filmography, from the famous films like Edward Scissorhands, to the strange and obscure movies such as Jim Jarmusch’s Dead Man, to the entire series of his breakout television role, 21 Jumpstreet, binge-watched in those pre-Netflix days on DVDs in my friend’s basement.

Years passed, and my obsession waned. After a while, I didn’t even find his presence in a film to be a draw; the last starring role of his I saw in the cinema was the fourth Pirates of the Caribbean film, a disappointment made even greater by the love I had (and still have) for the original. But still, if you had asked, I would probably—until recently—have called Depp one of my favourite actors.

Then he assaulted his wife.

Continue reading “When Your Hero is a Villain”

Actors and their Surprising Career Choices that Actually Worked

I haven’t been keeping up with the award show season too much this year, mainly because I’ve only seen eight Oscar-nominated films, three of which were in the Visual Effects category. But I have been paying enough attention to see that there was a lot of hype around Dallas Buyers Club, particularly for star Matthew McConaughey. I read that he lost 30 pounds for his role, a level of dedication usually seen by method actors like Christian Bale and Daniel Day-Lewis. And his work is getting rave reviews, including nominations or wins from the SAG awards, the Golden Globes, and of course the Academy, where he is the frontrunner to win Best Actor at the Oscars tonight.

09.matthew-mcconaughey-shirtless

To an extent, this surprised me. While I know he’s taken serious roles in the past (and is currently getting equally positive attention for True Detective), when I think of Matthew McConaughey, I think of a shirtless, bongo-playing, “I get older and they stay the same age,” How to Lose a Guy in 10 Days, stoner-surfer-sort-of-actor, and I’d guess a lot of audiences thought the same. After the reviews I read prior to seeing Dallas Buyers Club, I wasn’t shocked by how good he was, but I still find it a bit hard to reconcile McConaughey’s portrayal of Woodruf with, say, his similarly-named character Wooderson.

hero_DallasBuyersClub-2013-1

Then again, this certainly isn’t the first time an actor has broken out of their trademark style of role and done a remarkable job. Here are nine other actors who managed to surprise me with their roles:

Jim Carrey, Eternal Sunshine of the Spotless Mind

bruce-almighty-originaleternal-sunshine-of-the-spotless-mind-eternal-sunshine-4401761-1024-576

Like McConaughey, Jim Carrey had done some serious roles before Eternal SunshineThe Truman Show is hardly slapstick, after all. But he was certainly more well known for movies like Ace Ventura and Bruce Almighty. Then he played Joel to Kate Winslet’s Clementine in a film that never fails to make me feel joyful and depressed at the same time.

Steve Carell, Little Miss Sunshine

0000007501_20060920143802 Steve-in-Little-Miss-Sunshine-steve-carell-559323_1600_900

As far as I know, Steve Carell was solely a comedic actor for the better part of his career. AnchormanThe 40-Year-Old VirginThe Daily Show, and of course The Office: he’s brilliant at all of them, but although he has some touching moments as Michael Scott, and although Little Miss Sunshine is probably, technically a comedy, his role as Olive’s gay, suicidal uncle still came out of left field and blew me away.

Maya Rudolph, Away We Go

big3 away_we_go22

I don’t know if actresses are less typecast than actors or if it’s the opposite—that they are typecast but find it harder to break out of their original genre than male actors—but actresses who reinvent themselves are more of the child-star-who-didn’t-become-Lohan-esque variety. But Maya Rudolph (and John Krasinski) in Away We Go proved to be an example of a funny woman who can do serious—and wonderfully bittersweet.

Bryan Cranston, Breaking Bad

ketchup-mess-mustard-Bryan-Cranston-faces-Malcolm-In-The-Middle-_555671-12 Breaking-Bad-Heisenberg

For a lot of actors, the role they played in a late-90s/early-00s television show is the role they’ll be known as for good. Sarah Michelle Gellar will always be Buffy, Zach Braff and Donald Faison will always be JD and Turk, and James Van Der Beek will always be crying Dawson Leery. So who would’ve thought that Malcolm (the role Frankie Muniz will always be known for)’s silly dad Hal would end up being known as one of the most intense, terrifying television characters ever.

Continue reading “Actors and their Surprising Career Choices that Actually Worked”