Tag: movie review

Best Horror of 2022

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In my opinion, 2022 was a fantastic year for horror. With excellent horror films of every type being released in cinemas and on streaming, from the artistic and beautiful to the gory and intense, from creative new takes on stale franchises to innovative, out-of-the-box concepts, there was always something new and frightening to watch. It was a great year for horror literature as well, with terrifying anthologies, spooky stories of all sorts, and classics told in fresh and exciting ways.

If you’re looking to bring the scares in 2023, here are my favourite horror films from 2022 and my favourite horror books read in 2022 (some old and some new):

Best horror films of 2022 (Follow me on Letterboxd!)

Bones and All, dir. Luca Guadagnino

Who would have thought a film about cannibalism could be so tender (pun not intended)? This delicate, haunting, horrifying film was not only my favourite horror film of the year, but one of my favourites of any genre. As outsiders from society, finding solace in each other as they satisfy their urges (the story can be read as a both queer allegory and one of addiction,), this film is all about contrast. The central couple’s intimacy with each other contrasts with the wide open landscapes of the cinematography and setting. The soundwork contrasts the gnashing, gnawing sharpness of their actions with the quietness of the solitude around them. And the contrast between the final two shots are as emotional as they are gutting.

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Scannáin na hÉireann

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Long before I ever stepped foot in Ireland, I’ve loved Irish literature. When I was a kid, I had an audiobook on cassette tape with a number of classic ghost stories, including Oscar Wilde’s ‘The Canterville Ghost’, which I listened to incessantly. In college, I found a love for Irish plays as well, reading several (including Translations by Brian Friel, which became an all-time favourite) in a historically-focused theatre course. Naturally, this played into my motivations for applying to an MA in Literature & Publishing in Galway, and once I moved over I discovered so many wonderful contemporary Irish authors from Donal Ryan to, of course, Sally Rooney.

Ireland has an outsized cultural influence, with an incredible amount of internationally-acclaimed art in every medium considering the relatively small size of the country. Some of the world’s best poets, musicians, and more hail from the Emerald Isle. And as I’ve lived here I’ve gotten to know a lot of work by artists of different types.

But one medium that I feel has passed me personally by a bit for the most part is Irish cinema. I’ve seen a few of the most well-known Irish films across a number of genres — The Commitments, Once, The Wind that Shakes the Barley, The Quiet Man — but there are far more iconic Irish films that have passed me by. On this list, for example, I’ve only seen six.

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Let’s Go to the Movies

Lauren (thebestpossibletime.com)4 Comments

Roger Ebert died this week. And I’m glad to see that in the countless articles and blog posts eulogizing him, he is never referred to “only” as a film critic. As someone whose dream job used to be entertainment critic, I’ve sometimes felt like my ambitions were less serious than my peers who dreamed of parachuting into a war zone armed only with a notebook and a tape recorder, even of dedicating their lives to small-town papers to report on their city council meetings.

But entertainment journalism, although it has the potential to be “soft” when reporting on the comings and goings of D-list celebrities, has its place. As the first film critic to win the Pulitzer Prize for Criticism, Ebert demonstrated not only the value of film itself in reflecting or subverting the values of society, but also in discussing and critiquing film and the way it reflects or subverts those values.

In the thousands of reviews he wrote over four and a half decades at the Chicago Sun-Times and other media outlets, he was never afraid to digress into a commentary on social and political issues. Ebert was criticized over the summer for speaking out in favour of gun control in the wake of the movie theatre shooting in Aurora, Colorado, and many of his opponents said that he should stick to talking about movies. But as Ebert so often proved, there are so many times when you can’t talk about movies without talking about life.

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The Dark Knight Rises (2012): 4.5/5 stars*

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*I am so, so tempted to give it a straight-up 5/5 stars, but I feel like I’m just being biased due to my undying love of Batman (my entire Facebook bio for the past five years has simply read “I’m Batman.”). I reserve the right to adjust up (or down, I suppose) upon subsequent viewings.

 

Last week the final film in Christopher Nolan’s Batman trilogy was released. Obviously, the main topic of conversation since then has been the tragedy in Aurora, Colorado, which is understandable and appropriate. However, upon seeing the film again this morning I still have a lot of feelings, so without further ado here is my entirely biased opinion on the amazing finale to an amazing group of films about my favourite superhero.

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