Scannáin na hÉireann

Long before I ever stepped foot in Ireland, I’ve loved Irish literature. When I was a kid, I had an audiobook on cassette tape with a number of classic ghost stories, including Oscar Wilde’s ‘The Canterville Ghost’, which I listened to incessantly. In college, I found a love for Irish plays as well, reading several (including Translations by Brian Friel, which became an all-time favourite) in a historically-focused theatre course. Naturally, this played into my motivations for applying to an MA in Literature & Publishing in Galway, and once I moved over I discovered so many wonderful contemporary Irish authors from Donal Ryan to, of course, Sally Rooney.

Ireland has an outsized cultural influence, with an incredible amount of internationally-acclaimed art in every medium considering the relatively small size of the country. Some of the world’s best poets, musicians, and more hail from the Emerald Isle. And as I’ve lived here I’ve gotten to know a lot of work by artists of different types.

But one medium that I feel has passed me personally by a bit for the most part is Irish cinema. I’ve seen a few of the most well-known Irish films across a number of genres — The Commitments, Once, The Wind that Shakes the Barley, The Quiet Man — but there are far more iconic Irish films that have passed me by. On this list, for example, I’ve only seen six.

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Actors and their Surprising Career Choices that Actually Worked

I haven’t been keeping up with the award show season too much this year, mainly because I’ve only seen eight Oscar-nominated films, three of which were in the Visual Effects category. But I have been paying enough attention to see that there was a lot of hype around Dallas Buyers Club, particularly for star Matthew McConaughey. I read that he lost 30 pounds for his role, a level of dedication usually seen by method actors like Christian Bale and Daniel Day-Lewis. And his work is getting rave reviews, including nominations or wins from the SAG awards, the Golden Globes, and of course the Academy, where he is the frontrunner to win Best Actor at the Oscars tonight.

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To an extent, this surprised me. While I know he’s taken serious roles in the past (and is currently getting equally positive attention for True Detective), when I think of Matthew McConaughey, I think of a shirtless, bongo-playing, “I get older and they stay the same age,” How to Lose a Guy in 10 Days, stoner-surfer-sort-of-actor, and I’d guess a lot of audiences thought the same. After the reviews I read prior to seeing Dallas Buyers Club, I wasn’t shocked by how good he was, but I still find it a bit hard to reconcile McConaughey’s portrayal of Woodruf with, say, his similarly-named character Wooderson.

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Then again, this certainly isn’t the first time an actor has broken out of their trademark style of role and done a remarkable job. Here are nine other actors who managed to surprise me with their roles:

Jim Carrey, Eternal Sunshine of the Spotless Mind

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Like McConaughey, Jim Carrey had done some serious roles before Eternal SunshineThe Truman Show is hardly slapstick, after all. But he was certainly more well known for movies like Ace Ventura and Bruce Almighty. Then he played Joel to Kate Winslet’s Clementine in a film that never fails to make me feel joyful and depressed at the same time.

Steve Carell, Little Miss Sunshine

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As far as I know, Steve Carell was solely a comedic actor for the better part of his career. AnchormanThe 40-Year-Old VirginThe Daily Show, and of course The Office: he’s brilliant at all of them, but although he has some touching moments as Michael Scott, and although Little Miss Sunshine is probably, technically a comedy, his role as Olive’s gay, suicidal uncle still came out of left field and blew me away.

Maya Rudolph, Away We Go

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I don’t know if actresses are less typecast than actors or if it’s the opposite—that they are typecast but find it harder to break out of their original genre than male actors—but actresses who reinvent themselves are more of the child-star-who-didn’t-become-Lohan-esque variety. But Maya Rudolph (and John Krasinski) in Away We Go proved to be an example of a funny woman who can do serious—and wonderfully bittersweet.

Bryan Cranston, Breaking Bad

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For a lot of actors, the role they played in a late-90s/early-00s television show is the role they’ll be known as for good. Sarah Michelle Gellar will always be Buffy, Zach Braff and Donald Faison will always be JD and Turk, and James Van Der Beek will always be crying Dawson Leery. So who would’ve thought that Malcolm (the role Frankie Muniz will always be known for)’s silly dad Hal would end up being known as one of the most intense, terrifying television characters ever.

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