Best Horror of 2024

Best Horror 2024

As with every year, I read so much good horror in 2024 that I had to give it its own best-of list rather than lumping it in with my Best Fiction I Read in 2024 list (or my best non-fiction list, although I read a couple of good non-fiction horror books, and non-fiction in general aka real life is pretty horrifying right now). All of the books on my list were published in 2024 bar one, which was published at the end of October 2023, so if you’re looking for good, recent horror, read on!

Bonus: I was lucky enough to get an ARC of a book being published later in 2025 that I think a lot of folks are going to really love, and one of my first reads of the year was a 2024 book that would absolutely have made my best-of list if I’d read it two weeks earlier, so I’m not going to save it all the way for my end-of-year lists.

Best Horror 2024

The Reformatory by Tananarive Due (2023)

I finished reading Tananarive Due’s The Reformatory on January 9, and on that early date I was willing to stake the claim that it would be the best horror book I’d read in the year. And you know what, I was absolutely right. Set in the Jim Crow south at a boy’s reform school and based true events including the life and unjust death one of Due’s own relatives, this novel is horrifying enough even before it is touched by the paranormal. But there are plenty of ghosts and premonitions as well for those who love a supernatural element in their horror novels. It’s a harrowing, haunting read, but it’s a masterpiece of horror, historical fiction, and fiction in general.

The Bog Wife by Kay Chronister (2024)

You can judge a book by its cover on this one. If you are immediately drawn in by the earthy color palette and eerie details of The Bog Wife‘s cover, then you’ll probably love the book, too. A rural gothic, the novel features an Appalachian family, isolated and co-dependent, who are gifted (or cursed) with a covenant that has run and been renewed by generations before them. When this time the pact seems to fail, each of the siblings react in their own ways to attempt to stitch it back together, or rend it further apart. I loved the writing style in this novel, so descriptive I could nearly smell the peat. Adding in a heavy helping of family trauma, plenty of folk horror, and a dash of climate anxiety, The Bog Wife hit all the notes for me.

The Angel of Indian Lake by Stephen Graham Jones (2024)

In my opinion, the Indian Lake trilogy is destined to be considered a modern horror classic. And this closing novel novel hits a perfect balance on every level — gory and violent without losing its emotional core, nostalgic and referential to the scores of horror classics that came before without getting too meta. Jade Daniels is a final girl for the ages; in this last installment we see the culmination of her growth and maturity, while still maintaining her edge and of course her encyclopedic knowledge of slasher films across all subgenres. The trilogy isn’t going to be for everyone — you might find yourself having to cast your mind back to remember a minor character who makes a sudden reappearance or do a bit of wikipedia-ing to understand one of Jade’s film references — but for those who will make the effort, it’s up there with the all-time greats.

My Darling Dreadful Thing by Johanna van Veen (2024)

Now this is gothic horror. It’s grotesque, unsettling, ambiguous, and romantic. Roos and her ghostly, ghastly companion Ruth are a fascinating duo, aiding Roos’s conniving mother in fake séances to con wealthy customers. Eventually, she is sent to live with a widow who offers a handsome sum for her companionship after Roos pretends to channel the woman’s dead husband, and Roos’s relationship with the bold yet mysterious Agness is equally compelling. The supporting characters are as complex and intriguing as the main characters, and excellent pacing and an eerie setting round out the novel and help to create a tense, thrilling story.

Diavola by Jennifer Marie Thorne (2024)

This quick horror read is tons of fun. Our protagonist, Anna, is the black sheep of her family, and her dry, sarcastic tone is perfect for narrating both the mundane drama that occurs as the family gets together at an AirBnB in Italy, and the paranormal horrors they experience there. She’s not a likable character, per se, but she is an enjoyable one, and probably a relatable one, too, ideal for a story like this. The scares are balanced out with the humor, and the blend offers a satisfying and sometimes satirical take on the classic haunted house novel. Maybe the true horror was the family vacations we took along the way, am I right (I’m kidding, I actually love family vacations, Steve and I are meeting my parents in Portugal for a holiday in March — hopefully sans hauntings).

You Like It Darker by Stephen King (2024)

Death, taxes, and a new Stephen King book. Some things are pretty much guaranteed, and it’s inevitable that a writer as prolific as King is going to have some peaks and valleys in his oeuvre. Luckily, his latest short story collection, You Like It Darker, is a definite high. There are a couple of so-so stories, but the good ones are beyond good, and a little bit of variance in short story quality is probably inevitable in a collection as well. “Danny Coughlin’s Bad Dream” is worth the price of admission alone, and I love when King dips into cosmic horror as he does in “The Dreamers.” “The Answer Man” is simple, classic, and just the right amount of melancholy, and Cujo pseudo-sequel “Rattlesnakes” is creepy as hell. A solid collection from the horror master.

Bonus:

blood on her tongue and she's always hungry

Blood on Her Tongue by Johanna van Veen (2025)

After reading My Darling Dreadful Thing, I instantly added Johanna van Veen to the list of authors whose work I will be sure to pick up, so I was thrilled to snag an ARC of her second novel, Blood on Her Tongue (thanks very much to the author, Netgalley, and Poisoned Pen Press). I’ll share more of my thoughts on the book closer to its publication date, but in short, I think I loved this novel even more than I loved van Veen’s debut. Toxic codependence will always be a favorite horror trope of mine, especially when it leads to devastating consequences, and it’s so well executed here along with an exquisitely-crafted story that grows the creeping, unsettling tension to a truly disturbing climax.

She’s Always Hungry by Eliza Clark (2024)

As I said above, I read this at the very start of 2025, but since it was only published in mid-November 2024 and since it’s so early in the year, I don’t want to save it all the way for my end-of-2025 reviews since I would absolutely have included it in my best-of-2024 list had I read it in time, and I want to recommend it to anyone who is looking for disturbing, outrageous, fucked up short stories to start their year. Some highlights: the spooky siren folklore title tale, the cannibal lady cosmic oddity “The King,” the nothing-paranormal-but-just-as-creepy “Goth GF” about a young man’s obsession with his coworker, the climate anxiety-tinged space/bio horror “Extinction Event,” and the absurd (and absurdly unsettling) “The Shadow Over Little Chitaly,” which is formatted as a series of meal delivery app reviews about a takeaway restaurant that’s Not Quite Right.

Best Fiction (Read in) 2024

Book covers of the first five books on the list

I usually hate to crown my favorite reads of the year until the next year actually begins, just in case I happen to find a new fave in whatever I’m reading during the final hours of the New Year’s Eve countdown.

This year, I’m calling it a few hours early, mainly because I figure I can get a head start on my New Year’s resolution to resurrect this blog by writing out a few posts to put up over the next few days. I don’t know if people still really read blogs anymore, but I do, and I miss writing them, and I’m certainly not going to make a TikTok, so here we are.

These are my 10 favorite fiction reads of the year. The majority were published in 2023 or 2024; my list will probably be mostly older books next year since one of my other resolutions is to spend less time with my kindle and more time with my “back catalogue” (aka all the books bought from used bookstores that are weighing down every flat surface).

If you know me, you’ll also notice that one genre is conspicuously absent. I read so many good horror books this year that they’re getting their own post in the next few days.

So if you’re building your TBR for 2025, read on for some of my 2024 favorite that deserve a place on your list:

Book covers of the first five books on the list

Intermezzo by Sally Rooney (2024)

In my goodreads review of this novel, I wrote: “I don’t know if this is my favorite Sally Rooney novel, but I think it is her best.” A month later, I do know. This is my favorite Sally Rooney novel, and it is her best. The literary world’s most anticipated novel of the year, as well as the one I was personally most excited for, and for me it lived up to every expectation.

In Intermezzo, Rooney takes all of the hallmarks of her previous writing — sharp and revealing dialogue, exploration of romantic and platonic relationships, and beautiful depictions of the mundanities of life — and gives them a more creative, more mature element that elevates her writing beyond what she has done before.

In the way I often think of Normal People‘s Connell and Marianne as though they are old acquaintances I’d like to check in on and see how they’re doing, I know I will be thinking of Ivan, Peter, and the others (especially Margaret) in this novel the same way.

James by Percival Everett (2024)

Another 2024 novel that hardly needs an introduction from me. If you’ve been tuned in to literature at all this year, then you’ve heard about James. Percival Everett’s clever, satirical take on The Adventures of Huckleberry Finn has been everywhere, and for good reason.

Retellings of books and stories are popular across genres, from contemporized versions of classic horror to feminist retellings of Greek myths, but sometimes these updates don’t offer enough to justify why they should be read in addition to the original tales.

James not only justifies it existence but also, I would argue, deserves to be read as a companion to Huck Finn by almost everyone who picks up Twain’s classic novel. Smart, well-crafted, and imbued with a satirical bent that offers an ideal dialogue with the original text, this is a masterful example of a retelling that will become a classic in its own right.

The White Book by Han Kang (2016)

I’ve been a fan of Han Kang’s since my former book club read The Vegetarian, and I was delighted when the South Korean author won the Nobel Prize for Literature this year. In addition to The Vegetarian, I’d already read Human Acts, but I hadn’t yet picked up this one of her translated works.

This is an extraordinarily beautiful novel (also huge credit to Han Kang’s translator Deborah Smith for her outstanding work in reflecting the artistry of the author’s Korean prose in English). In a series of prose-poetry vignettes, the unnamed narrator reflects on love and grief while on a writing retreat through meditations on the color white — as pale skin, clouds of breath on a winter’s day, and the blank page ready to be filled with words.

Foster by Claire Keegan (2010)

In general, I try to read a book before I see the film adapted from it, but in this case I only read Foster this year after seeing the magnificent adaptation, An Cailín Ciúin, a few years ago. It was after seeing another wonderful and heartwrenching adaptation of Keegan’s work, Small Things Like These, that I realized I had never read Foster and decided it was time to pick it up.

An Cailín Ciúin translates in English to “the quiet girl,” so imagine my surprise when I began the novel and discovered it was written in first person! This is a little gem, not even a hundred pages long, and every word of narration and dialogue holds so much meaning. Enchanting and heartwarming, a perfect story.

Soldier Sailor by Claire Kilroy (2023)

If there’s one tradition I can manage to maintain on this blog, it’s reviewing the Women’s Prize shortlisted novels, and for 2024 two of the shortlisted books have also made it onto my favorites list (and the winner of the new Women’s Prize for Nonfiction, Naomi Klein’s Doppelganger, was a fave of last year, too). Although I did enjoy the eventual winner (Brotherless Night by V.V. Ganesthananthan), Claire Kilroy’s Soldier Sailor would have been my personal pick. My review:

My one-word review of this novel is oof. The narrator is a new mother talking to her son about how she loves him so much she would kill and/or die for him, about her loneliness, about taking on unequal weight in her marriage, about looking forward to their years together as he grows up. The dramas in the book are mostly minor — losing track of him in IKEA for a few minutes, a small fever — but the writing is so raw. Heart-wrenching and often funny as well, I absolutely loved this one. If I was giving the prize it would be to this instant classic.

Book covers for books 6-10 on Best Fiction of 2024

Enter Ghost by Isabella Hammad (2023)

My other favorite from the Women’s Prize shortlist. I first encountered Hammad’s words in this excellent conversation with Sally Rooney. Her literary work is just as powerful. In Enter Ghost, a British-Palestinian woman goes back to her homeland after many years to visit her sister and gets roped in to a production of Hamlet. Fittingly, this one felt almost theatrical in a way; I could really picture everything so well, and the prose sometimes reverts to a script format during rehearsal scenes.

I also loved the protagonist. She’s quite prickly at times, but very complex and interesting. The various elements of the plot — the protagonist’s relationship with her family and identity, her life back in the UK versus her time in Palestine, the theatre production and the ongoing conflict it is staged in the midst of — weave together in such a satisfying and compelling way.

The History of Sound by Ben Shattuck (2024)

This was a last-minute browsing grab from the library when I was worried I wouldn’t have enough books for my trip back to the States, and it’s books like this that are the reason I don’t determine my year-end best-of until the last minute. The stories in The History of Sound, from the uplifting to the tragic, capture the perfect tone of bittersweet melancholy that is perfect for the season.

Not to be all Harry Styles “it feels like a real go to the theatre film movie” about it, but I love when a short story collection feels like a short story collection. The stories in this collection go together, interconnect, reference each other, and share space even in a world that spans three centuries and countless lives. They’re wistful and nostalgic, some full of what could be and some with what could have been, and although they feature such disparate concepts as a colonial-era tale and the transcript of a Radiolab episode, they weave together exquisitely.

Family Meal by Bryan Washington (2023)

I don’t know what it is about Family Meal. It didn’t stay with me the way some of the books on this list did, and yet when I was deciding which novels were my favorites of the year, this one immediately came to mind. And as soon as I started thinking about it, it did all come flooding back, this story of a young man set adrift by the death of his partner, who returns to his hometown to try to find some grounding.

I love how unapologetic this novel is. It’s full of the things pearl-clutchers in goodreads reviews love to complain about: swear words, explicit sex scenes, and no quotations marks. This novel doesn’t care if you like it, and you’ll love it all the same.

The Vaster Wilds by Lauren Groff (2023)

I read one of Lauren Groff’s novels ages ago and didn’t love it, so I didn’t pick up any more of her work until 2021’s Matrix. If that novel proved that I was wrong about her, and that she’s a killer writer, particularly of historical fiction, The Vaster Wilds definitely cemented it for me.

Visceral and at times grotesque, this colonial-set novel about a young woman who flees the Jamestown colony and is must try to sustain herself in the harsh wilderness is as thrilling as any survivalist tv show or documentary. Groff’s prose is intense and the imagery so rich that you feel as though you’re using every sense in experiencing the story.

The Other Valley by Scott Alexander Howard (2024)

This was one of a few speculative fiction novels that had serious mainstream popularity this year. While I’ve enjoyed some of the other heavy-hitters — Kaliane Bradley’s The Ministry of Time, which both my sci-fi and non-sci-fi loving friends raved about, and Samantha Harvey’s Orbital, which won the Booker and which I am actually reading right now — The Other Valley is the one that has really stuck with me through the year.

The premise of the novel seems so simple yet so unique: in one valley lies a town. The same town exists in each of the neighboring valleys, twenty years in the past on one side, twenty years to the future on the other. Similarly, the book is divided. In the first half, the teenage protagonist competes for a coveted job authorizing the rare and highly-regulated travel between the valleys. In the second half, she is an adult, living the butterfly effect-like consequences of an unexpected event and her actions as a result. This novel broaches a lot of philosophical themes and, although I read it early in 2024, I am still considering them now as the year draws to a close.


Check back later this week for my favorite non-fiction and horror books of the year, and let me know what’s on your TBR for 2025!

Best books of 2020 (published in 2020)

For all its many, many faults, 2020 was a great year for reading. I had plenty of time for it, meaning I got through a whopping 107 books. I rediscovered a love for audiobooks. And a glut of incredible new titles meant that I already had something exciting and fresh to read (and a great selection on my library’s Libby meant that there were always new ones coming in on my hold lists, so I read more newly-released titles this year than in some other years), along with my endless list of to-reads from years past.

In fact, I read so many great books this year that I found it really hard to narrow down my favourites. I’ve decided to split my list into two parts: books published in 2020, and books published earlier than 2020.

So whether you’re looking for something hot off the press or a modern classic, here are my picks for best of the year, starting with books newly released in 2020.

Continue reading “Best books of 2020 (published in 2020)”

What I Read in October

Bad weather and a new lockdown meant October was another great reading month. There’s nothing better than curling up with a book when you have nothing else to do and the wind is howling outside. Here’s what was on my reading list this month:

Continue reading “What I Read in October”

One More Thing by BJ Novak (2014): 4/5 stars

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There’s a video on Youtube of BJ Novak telling the story of “Wikipedia Brown and the Case of the Missing Bicycle.” It’s pretty grainy and the sound quality isn’t that great… and I’ve watched it enough times that when I reached the story in Novak’s first story collection, One More Thing: Stories and Other Stories, I could hear his voice in my head and could probably have recited the story nearly by heart myself.

Maybe that’s a sign I’ve followed BJ Novak’s career too closely, along with the fact that I recognised a few of the collection’s shorter “stories” as originally being from his Twitter account, but ever since I started watching The Office and Ryan Howard became one of my favourite characters on the show even in his most hate-able moments (that blond hair), I’ve been a big fan. So in fairness, this is a pretty biased review, as I already knew his sense of humour and writing style was in my wheelhouse.

Regardless, I loved this book, and stayed up into the wee hours of the morning to finish reading it. Every time I thought “I’ll stop after this story, save the rest for the next day,” I found myself reading another. Some were longer, while others were only a few lines (for example, “The Literalist’s Love Poem”: Roses are rose. Violets are violet. I love you.). The thing that I found most engaging about the collection was the tone.

Continue reading “One More Thing by BJ Novak (2014): 4/5 stars”