January Microreviews

One of the goals on my 101 Things in 1001 Days project (2 goals complete and another 5 in progress so far!) is to start a blog dedicated to reviews. Unfortunately, at the moment I’m hardly seeing enough new films or reading enough new books or listening to enough new albums to make it worthwhile—it can be fun to read reviews of older works, but not fun enough to create a whole blog around it unless there’s some sort of theme other than “what I’ve read/seen/listened to.” However, in the meantime I’m going to do a microreview roundup each month of all the books, films, and anything else old or new that I’ve consumed (for the first time). Sure this month is a little late, but there’s still plenty of time before I’ll need to write February’s entry.

If you’re interested in seeing what pop culture I’m looking at as it happens, you can follow me on Goodreads or take a look at my 2014 scrapbook. What have you read, watched, or listened to in the last month? Tell me about it!

January books

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The Letters by Jack Kerouac and Allen Ginsberg (2012): A compilation of the correspondence between Kerouac and Ginsberg from 1944 to 1969, this book amazed me with the depth of the relationship between these two icons of the Beat generation. At times it is pretentious, of course, but in other instances there’s a rawness and sincerity that helps to explain the reason their writing still resonates so strongly.

While the Women are Sleeping by Javier Marías (1990): I’ve been wanting to read something by Marías for ages, but judging by the reviews on Goodreads for this collection, it’s not the one to choose as a first look at his work, and maybe that’s why I had trouble fully connecting with it. However, I did like the creepiness of the stories, whether it was due to a paranormal element or simply the weirdness of human nature.

A Farewell to Arms by Ernest Hemingway (1929): I see why Bradley Cooper’s character threw this novel out the window at the start of Silver Linings Playbook. While I enjoy Hemingway’s style so I liked the writing as much as I have in his other works, the unresolved nature of the plot, particularly the ending, made the book lack closure and feel almost unfinished.

Americanah, Chimamanda Ngozi Adichie (2013): Like a lot of people, I was introduced to Adichie’s work by Beyoncé’s ***Flawless, which samples one of her speeches. Americanah covers race, feminism, cultural and national identity, and does so through the wonderful character of Ifemelu. While some of the characters were somewhat one-dimensional, the protagonist was so compelling that I couldn’t set the book down.

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Let’s Go to the Movies

Roger Ebert died this week. And I’m glad to see that in the countless articles and blog posts eulogizing him, he is never referred to “only” as a film critic. As someone whose dream job used to be entertainment critic, I’ve sometimes felt like my ambitions were less serious than my peers who dreamed of parachuting into a war zone armed only with a notebook and a tape recorder, even of dedicating their lives to small-town papers to report on their city council meetings.

But entertainment journalism, although it has the potential to be “soft” when reporting on the comings and goings of D-list celebrities, has its place. As the first film critic to win the Pulitzer Prize for Criticism, Ebert demonstrated not only the value of film itself in reflecting or subverting the values of society, but also in discussing and critiquing film and the way it reflects or subverts those values.

1365105444_roger-ebert-articleIn the thousands of reviews he wrote over four and a half decades at the Chicago Sun-Times and other media outlets, he was never afraid to digress into a commentary on social and political issues. Ebert was criticized over the summer for speaking out in favour of gun control in the wake of the movie theatre shooting in Aurora, Colorado, and many of his opponents said that he should stick to talking about movies. But as Ebert so often proved, there are so many times when you can’t talk about movies without talking about life.

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The Dark Knight Rises (2012): 4.5/5 stars*

*I am so, so tempted to give it a straight-up 5/5 stars, but I feel like I’m just being biased due to my undying love of Batman (my entire Facebook bio for the past five years has simply read “I’m Batman.”). I reserve the right to adjust up (or down, I suppose) upon subsequent viewings.

 

Last week the final film in Christopher Nolan’s Batman trilogy was released. Obviously, the main topic of conversation since then has been the tragedy in Aurora, Colorado, which is understandable and appropriate. However, upon seeing the film again this morning I still have a lot of feelings, so without further ado here is my entirely biased opinion on the amazing finale to an amazing group of films about my favourite superhero.

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